Hannah A. Barnes

Music

La Ligne de la Rupture for McGill University's Contemporary Music Ensemble (2024) (fl/b fl, cl/b cl, a sx, tpt, tbn, hp, e gtr, pno, 2 perc, 2 vln, vla, vc, db); (15')
Triskelion for DePaul University's Ensemble 20+ (2020-1) (fl/a fl/b fl, ob/cor ang, cl/b cl, bsn, hn, tpt, tbn, 2 perc, 2 vln, vla, vc, db) (15'30")
Everything that will happen has happened for DePaul University's Ensemble 20+ (2019) (8')

Forthcoming work commissioned by Lamnth (vln, cimbalom) (2026)
Entanglement for Quatuor Bozzini (sq) (2026) (5’30”)
The Mysteries Remain commissioned by Quatuor Mémoire, with Joanna Mieleszko; text by H.D. (sq + mez. sop.) (2025) (25')
in perpetuum (fragment) composed for members of Ensemble Musikfabrik for the Virtual Brass Academy (2025) (double-bell tpt, double-bell hn, double-bell tbn) (4'30")
A very short space of time through very short times of space commissioned by Flannau Duo (2024) (pno + perc) (12')
Now to begin - Why fear the end commissioned by Callithumpian Consort (2023) (fl/b fl, clr/b clr, pno, perc, vln, vc) (13')
Not buried, but just under the surface commissioned by Garden Unit (2022) (b clr, t sax) (10’)
Negative Capability II composed for Jesse Langen and Omaha Under the Radar (2022) (e gtr + separately-operated gtr pedals) (15')
un filo invisible composed for the Yarn/Wire Summer Institute (2022) (a fl / b fl, pno, perc) (9')
Aperture composed for Transient Canvas (2021) (b clr, mar) (9')
five images composed for Ensemble Dal Niente and the DePaul and Dal Niente Summer Residency for New Music (2020) (cl / b cl, perc, hp, vln / vla) (9')
Revenir commissioned by Tarre Nelson (2020) (hn, vln, pno) (11'30")
the Veil through which I could not see (2019) (vln, vla, vc, pno) (11'30")
Static Electricity (2018) (fl, vib, vc) (11'30")
dancing in circles (2018) (2 perc) (4')

Forthcoming work commissioned by Matt Sargent (e gtr) (2026/7) (ca. 25')
Forthcoming work commissioned by Jamie Monck (gtr) (2026)
Spectrehymnia commissioned by outHEAR New Music Week (2026) (piano automaton) (6'30"")
Selenetrope (vla version) commissioned by Jing Chen (vla) (2026) (9'30")
Selenetrope (vln version) composed for the Darmstadt Summer Courses Composing for Violin Workshop (2025) (vln) (5')
Geranium commissioned by Le Vivier InterUniversitaire (ringtone) (2024) (hp) (1')
Book of Hidden Cities composed for Bailey Wantuch (2024-5) (vln) (5'30')
Whispering lunar incantations composed for the Darmstadt Summer Courses Composing for Harp Workshop (2023) (hp) (6'30")
presence of the absence of the presence commissioned by Ian Pace (2023) (pno) (11')
Catharsis commissioned by Nate Beaver (2023) (cb) (10'30")
Antithesis commissioned by Tarre Nelson (2022) (hn) (13')
Ramification composed for Alex Garde and the Summer Institute for Contemporary Performance Practice (2021) (perc) (11')
sighing after something (2021) composed for Hannah Spear (amplified vln) (12')
Negative Capability composed for Jesse Langen (2020) (e gtr) (11'30")
Landscapes commissioned by Aurora Lawrie (2018) (vc) (7')

clouded winding paths commissioned by Jennifer Gersten (2025) (violin and live + fixed electronics) (12')
The Garden composed for Joanna Mieleszko; text by H.D. (2022, rev. 2023) (m.z. sop, fixed elec) (6')
Dis/inte/gration composed for Kyle Bruckmann (2019, rev. 2020) (ob, fixed elec) (8')

Chanson commissioned by Le Vivier InterUniversitaire (2024) (fixed media) (2')
Mirrored (2017) (fixed media) (1'08")
Untitled (2017) (fixed media) (1'30")

Erlkönig (F. Schubert) commissioned by Lamnth (vln, cimbalom) (2025) (4'30")