elec_chan.html

Music

Ensemble

  • La Ligne de la Rupture for McGill University's Contemporary Music Ensemble (2024) (fl/b fl, cl/b cl, a sx, tpt, tbn, hp, e gtr, pno, 2 perc, 2 vln, vla, vc, db); (15')
  • Triskelion for DePaul University's Ensemble 20+ (2020-1) (fl/a fl/b fl, ob/cor ang, cl/b cl, bsn, hn, tpt, tbn, 2 perc, 2 vln, vla, vc, db)  (15'30")
  • Everything that will happen has happened for DePaul University's Ensemble 20+ (2019) (8')

Chamber

  • Forthcoming work commissioned by Lamnth (vln, cimbalom) (2026)
  • The Mysteries Remain commissioned by Quatuor Mémoire, with Joanna Mieleszko; text by H.D. (sq + mez. sop.) (2025) (25')
  • in perpetuum (fragment) composed for members of Ensemble Musikfabrik for the Virtual Brass Academy (2025) (double-bell tpt, double-bell hn, double-bell tbn) (4'30")
  • A very short space of time through very short times of space commissioned by Flannau Duo (2024) (pno + perc) (12')
  • Now to begin - Why fear the end (2023) (fl/b fl, clr/b clr, pno, perc, vln, vc) (13')
  • Not buried, but just under the surface commissioned by Garden Unit (2022) (b clr, t sax) (10’)
  • Negative Capability II composed for Jesse Langen and Omaha Under the Radar (2022) (e gtr + separately-operated gtr pedals) (15')
  • un filo invisible composed for the Yarn/Wire Summer Institut (2022) (a fl / b fl, pno, perc) (9')
  • Aperture composed for Transient Canvas (2021) (b clr, mar) (9')
  • five images composed for Ensemble Dal Niente and the DePaul and Dal Niente Summer Residency for New Music (2020) (cl / b cl, perc, hp, vln / vla) (9')
  • Revenir commissioned by Tarre Nelson (2020) (hn, vln, pno) (11'30")
  • the Veil through which I could not see (2019) (vln, vla, vc, pno) (11'30")
  • Static Electricity  (2018) (fl, vib, vc) (11'30")
  • dancing in circles (2018) (2 perc) (4')

Solo

  • Forthcoming work commissioned by Matt Sargent (e gtr) (2026/7) (ca. 25')
  • Forthcoming work commissioned by Jamie Monck (gtr) (2026)
  • Selenetrope (vla version) commissioned by Jing Chen (vla) (2025) (8')
  • Selenetrope (vln version) composed for the Darmstadt Summer Courses Composing for Violin Workshop (2025) (vln) (5')
  • Geranium commissioned by Le Vivier InterUniversitaire (ringtone) (2024) (hp) (1')
  • Book of Hidden Cities composed for Bailey Wantuch (2024-5) (vln) (12'-)
  • Whispering lunar incantations composed for the Darmstadt Summer Courses Composing for Harp Workshop (2023) (hp) (6'30")
  • presence of the absence of the presence commissioned by Ian Pace (2023) (pno) (11')
  • Catharsis  commissioned by Nate Beaver (2023) (cb) (10'30")
  • Antithesis commissioned by Tarre Nelson (2022) (hn) (13')
  • Ramification composed for Alex Garde and the Summer Institute for Contemporary Performance Practice (2021) (perc) (11')
  • sighing after something (2021) composed for Hannah Spear (amplified vln) (12')
  • Negative Capability composed for Jesse Langen (2020) (e gtr) (11'30")
  • Landscapes  commissioned by Aurora Lawrie (2018) (vc) (7')

Mixed (with Electronics)

  • clouded winding paths commissioned by Jennifer Gersten (2025) (violin and live + fixed electronics) (12')
  • The Garden composed for Joanna Mieleszko; text by H.D. (2022, rev. 2023) (m.z. sop, fixed elec) (6')
  • Dis/inte/gration composed for Kyle Bruckmann (2019, rev. 2020) (ob, fixed elec) (8')

Electroacoustic

  • Chanson commissioned by Le Vivier InterUniversitaire (2024) (fixed media) (2')
  • Mirrored (2017) (fixed media) (1'08")
  • Untitled (2017) (fixed media) (1'30")

Transcriptions

  • Erlkönig (F. Schubert) commissioned by Lamnth (vln, cimbalom) (2025) (4'30")